For me, it’s all about the story, and that happens through the actors’ performances. I love cutting montage sequences. I love building sound beds. I love finding the perfect piece of music to score underneath that emotional beat. But it’s the moments between the lines — what the characters are not saying — that truly engage an audience. Those are the moments I love to cut. My goal is to engage the audience into the experience YOU, the filmmaker, are setting out to create for them.
Selects
Scroll down to view samples.
Current work in progress
Example of what I love cutting most — actors’ performances.
No color. No mix. Almost there!
I also love cutting and scoring montage sequences. They’re an efficient way to establish the tone and world of a story.
One of my favorite moments in the film.
COMPLETED WORKS
This is a proof-of-concept.
A good old sex-comedy.
This one’s close to my heart.
Documentary
My first feature. Trailer and Clips available upon request.
More doc work available upon request
Manhattan Edit Workshop
A clip I cut while attending the Six-Week Manhattan Edit Workshop. Dylan Tichenor, our guest teacher, loved it. Wanted to see more. So did I.
After seeing a few stabs at this scene from other students, Dylan Tichenor viewed my version and said: “Now, I finally understand what the scene is about.”
I love cutting horror/thrillers. I wanted this one to feel like an old B-horror movie.
